Since 2003, I’ve been writing regularly not only about contemporary art but about other fields such as film, theatre, music, and digital culture. Recent articles include: “Slow Cinema: a New Filmic Rhythm and a Cinematic Conscience,” “The Good the Bad and the Heavily-Ideological: The Survival of Art House Film Within the Chinese Film Ecology,” “Cultural Megalopolis: The Greater Bay Area and What it Means for the Arts,“ “Book Art in China: From the Ancient Marriage of Image and Text to the Realities of Self-publishing,” and “Costume Lectures in a Post-Socialist China—The Social Practice of Grass Stage.”