Rebecca Catching

Foreign Bodies
Exhibition Press Release

Foreign Bodies: Human Identity in a Posthuman World

November 18, 2016-April 28, 2017
Curated by: Rebecca Catching

Solo Exhibitions
Tian Xiaolei
Exhibition Dates: Nov 18-Dec 9, 2016

Laza Wu Tzu-ning
Dec: 16, 2016-Jan 13, 2017

Katsuki Nogami
February 24-March 24, 2017

Shinseungback Kimyonghun (Shin Seung Back + Kim Yong Hun)
March 31-April 28, 2017

Wu Tzu-ning, "GFP Human Farm," 2016
Wu Tzu-ning, “GFP Human Farm,” 2016

Text Contributors:
Sun Shaoyi, Ming Turner, Kensuke Sembo and Kok Yoong Lim

Location: Department for Culture and Education of the German Consulate General Shanghai (101 Cross Tower 318 Fuzhou Lu, near Shandong Zhong Lu, Huangpu, Shanghai)

Katsuki Nogami, "Yamada Taro Project," 2017
Katsuki Nogami, “Yamada Taro Project,” 2017

From the very first moment that a “caveman” picked up a piece of flint to cut a piece of meat 3.6 million years ago humans have become reliant on a growing number of tools, from compasses, to reading glasses, abacuses, and modern day computers. Today, with the exception of tribal societies we are all mostly living within the network. Katherine Hayles defines the posthuman body as the “original prosthesis” (which carries out the actions of the brain), saying that all of other tools we use to communicate are merely an extension of that process. Meanwhile, Donna Haraway describes humans as cyborgs “chimeras, theorized and fabricated hybrids of machine and organism”.

Stone, 2017, 64 water sensors, 64 solenoids, wooden panels, arduino, computer, custom software, speakers, screen and projector, Variable dimensions.

SSBKYH, “Stone,” 2017, 64 water sensors, 64 solenoids, wooden panels, arduino, computer, custom software, speakers, screen and projector, Variable dimensions.

Using this idea of the networked human being—now inseparable from our tools—we selected four artists from four regions of Asia to explore the question of human identity in a post-human world. Tian Xiaolei constructs a world where actual bodies have become virtualized and human encounters are re-cast in the language of anonymity and gaming. Wu Tzu-ning looks at our networked existence and both in terms of the identity and the mobility of the networked being — a world of surfaces. Katsuki Nogami examines how is the technoself (our online identity), when left unprotected, can be easily hijacked and repurposed by nefarious minds and Shinseungback Kimyonghun SSBKYH use technology to help humans extend their boundaries of perception thus challenging our anthropocentric view of the world.

Tian Xiaolei, the Poem, video, 7'11'', 2014
Tian Xiaolei, “the Poem,” video, 7’11”, 2014

Each artist group will present a solo project to be exhibited consecutively from November 18, 2016-April 28, 2017. Exhibitions will feature artist talks and a publication, “Foreign Bodies: Human Identity in a Posthuman World” with a series of texts by artists and academics to accompany each project.

The exhibition series “Foreign Bodies” contributes to the regional project of Goethe-Institut “Data Dreams”.