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ABOUT
- A Postcard from Bangkok:
How Museums Can Play a Role
in Reshaping the Narrative of a City
and Preserving Intangible Cultural Heritage
曼谷的明星片：用博物馆改变一个城市的叙事
同事保护非物质文化遗产 - About 关于
- CONTEMPORARY ART
当代艺术- ASSEMBLY LINE PROJECT INTRODUCTION
流水线项目简介 - CONTEMPORARY ART WRITING 当代艺术写作
- Market Potential
for Abstract Art Remains Indistinct
抽象艺术市场潜力还不清楚 - Power of the Peripheries:
10 Worthwhile Art Spaces Outside of
China’s Main Art Ecologies
边缘的势力：10个有价值的艺术空间在中国核心艺术神态外 - The Annals of Chen Hangfeng: Exploring
History, Economic Change, and Cultural Confluence through the Language of Video
陈航峰纪年：用视频语言来探索历史济变化与文化融合 - The GIF that Keeps on Giving:
Chinese GIF Art in the East Asian Social Context
不断给予的礼物：中国的GIF动画艺术在亚洲社会的语境
- Market Potential
- FOREIGN BODIES PROJECT
异物：后人类的身份:新闻稿- Born Beyond the Womb:
Wu Tzu-ning Solo Exhibition
恒空出世：吴梓宁个展 - Foreign Bodies
Exhibition Press Release
异体：后人类的身份:展览新闻稿 - Overclocking: A Solo Show by Tian Xiaolei
超标：田绍磊个展 - Stone
SHINSEUNGBACK
KIMYONGHUN［Press Release]
石头 – 申承帛金容勋 – 开幕式和艺术家对话 - Yamada Taro Project Shanghai:
Katsuki Nogami Solo Exhibition［Press Release]
野上勝己个展《上海山田太郎计划》
- Born Beyond the Womb:
- MINSHENG ART MUSEUM: COSMOS
上海民生现代美术馆:多重宇宙 - OV Gallery
OV画廊
- ASSEMBLY LINE PROJECT INTRODUCTION
- CULTURE 文化
- Book Art in China:
From the Ancient Marriage of Text
and Image to the Contemporary
Realities of Self-Publishing
艺术家书在中国：从古代的“图”和“文”的结合到 当代自助出版的状态 - Chinese Slow Cinema—
a New Filmic Rhythm and a Cinematic
Conscience—Exploring Notions of Time,
History, Memory, Absence and Allegory
in the Works of Chinese Auteurs
中国慢缓电影： 一种新的电影节奏和电影的社会良知， 探索中国性格导演对时间 ，历史， 记忆，席和寓言的概念 - Cultural Megalopolis:
The Greater Bay Area
and What it Means for the Arts
文化大都市：大湾区对文化和艺术的印象 - Instant-gramification: The Attention Economy and the Rise of the Pop-UP and Experiential Exhibition Culture
贪图眼前的安乐：社交媒体，注意力经济，与网红展览文化的发展 - The Good the Bad and the Heavily-Ideological: The Survival of Art House Film Within the Chinese Film Ecology
好片子与红片子：艺术电影的生存在中国电影的神态
- Book Art in China:
- Excerpts from “A Book of Passages/ A Preface to Shengtian Zheng’s Interview Project with Chinese Artists”
《通途之书/为郑胜天之艺术家访谈录作序》摘录 - MUSEUMS: My Personal Experience
博物馆：我个人经验- Art and Retail—
An Unlikely Marriage
Provides a New Funding
Model for Culture
艺术与购物中心——古怪一对或者新的商业模式？ - Great Leap Forward 2.0—
Internet + and the Rapid Integration
of Digital Technology in Chinese Museums
大跃进2.0: 互联网+和中国博物馆对数码技术的快速结合和应用 - Instant-gramification:
The Attention Economy
and the Rise of Pop-Up
Experiential Exhibition Culture
贪图眼前的安乐：社交媒体，注意力经济，与网红展览文化的发展 - Museum Development in China: Understanding the Building Boom
中国博物馆发展：如何理解建博物馆热潮 - Museums as a Battle Ground for Diversity:
Gender Identity, Feminism, Cultural
Identity and the Patriarchal Han-Dominant
Narratives of the Chinese Cultural Sphere
博物馆作为多样性的战场: 性别身份，女权主义，文化认同和博物馆的家长制，汉字文化圈下的汉族主义式叙事 - One Country, Two Systems: A Hegemonic History of Public and Private Museums in China
一国两制：国有博物馆和私人美术馆的霸权历史
- Art and Retail—
- Touring Exhibitions to China:
How to Create Exhibitions
that Land and Connect
巡回展览到中国：
如何创建有影响力的巡展 - Whose Past Is it Anyway? Theories on Nostalgia and the Misunderstandings in the Contemporary Art Circle vis-à-vis “Chinese Avant-Garde Art”
怀谁之”旧”——论当代艺术对于”中国前卫艺术”的误读 - WRITING, EDITING and TRANSLATION
写作，编辑与翻译 - 主页
- I Don’t Think You’re Ready for this Jelly!
Xiaolongbao, Shanghainese Soup Dumplings
Hacks and Tricks
肉皮冻就位！——小笼包一级攻略：小妙招和秘诀 - Migratory Feasts: Voices from the Kitchens of Singapore
流动盛宴：新加坡厨房的女声音